jueves 15 de marzo de 2012

Mike Lacher "I'm Comic Sans, Asshole" McSweeney's Internet Tendency


Never, never forget the wonder that is McSweeney's Internet Tendency.

Today I read Mike Lacher's "I'm Comic Sans, Asshole," and was fully delighted. My lust of words and conviction that life is worthwhile have been renewed.

"Listen up. I know the shit you've been saying behind my back. You think I'm stupid. You think I'm immature. You think I'm a malformed, pathetic excuse for a font. Well think again, nerdhole, because I'm Comic Sans, and I'm the best thing to happen to typography since Johannes fucking Gutenberg."

Go. And read the rest.

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正义

lunes 5 de marzo de 2012

Erin Anderson "A Lesson in Destruction" The Summerset Review

"Of all the masculine ways the military taught me to destroy, it was ironic that my most destructive act would be particularly feminine. I had not expected to kill anybody in the first place, not so soon after the end of the Vietnam War, but at nineteen, I did not yet know what I was capable of doing."

A work of nonfiction, Erin Anderson's "A Lesson in Destruction" appears in The Summerset Review and gives the writer's story after joining the US Army in 1979.

The pace of this narrative is rapid, and episodes are conveyed with moving clarity. The writer's life in basic training and then later in Germany are tangible and vivid. 

Expecting to use her language ability, the writer finds out the reality of life serving during peacetime--until her big mission.

This is a very good read. Check it out.

domingo 4 de marzo de 2012

Elizabeth Kadetsky "The Memory Pavilion" Post Road Magazine

Having worked with her at Our Stories workshop and literary journal, and having read her work previously, it was a pleasant surprise to come across Elizabeth Kadetsky's work of nonfiction "The Memory Pavilion" in the always-stellar Post Road Magazine. The piece features the writer reflecting on dreams of a childhood apartment.

"Our building accounted for the largest single demographic of students at the elementary school, and took up a whole block. With the pretension intrinsic to the moment, it had been named The Pavilion."

The narrative centers on the health and declining memory of the writer's mother, who is described as dying a little bit more each day, and who is being taken care of by an older sister. Phone calls and the tension and stress inherent in these kinds of threesomes exude through the narrative's tone as well as through episodes sometimes explained through the prism of yogic concepts.

A densely meaningful, extremely worthwhile read. Check this out.


viernes 3 de febrero de 2012

Marshall Moore *The Infernal Republic* Signal 8 Press

Marshall Moore, author of the novel The Concrete Sky (2003), Black Shapes in a Darkened Room (2003, 2009), An Ideal for Living (2010), recently released a new collection, The Infernal Republic.

The Infernal Republic is an electric, eclectic collection of stories with topics ranging from Portland suicides to hell-dwelling demons.

In "Urban Reef," the opening story, a suicide bonds two lonely acquaintances in Portland, while "Everything Has Been Arranged" delivers a surreal, somber house-moving that hints at the diverse range of styles and subjects in the collection.

The surreal continues in other stories, such as "Marble Forest," about insomnia, family curses, and art-- "The Physical Impossibility of Death in the Mind of Someone Living" describes a psychic connection a psychologist shares with a shark.

Other wonderful experiences, such as embodying architecture in "215" and witnessing graduating levels of punishment in "Flesh, Blood, and Some of the Parts," give way to stories of relationships, such as in "Town of Thorns," about a gay man who, after being bashed, alters in troubling ways, and in "Toast, Belladonna, and the Heat Death of the Universe," in which a wonderful exchange of dialogue leads to attempted gunfire in a crowded restaurant.

These and so many other stories showcase Moore's craft.

Check it out: The Infernal Republic.





 

lunes 23 de enero de 2012

Sandra Allen "Plow" Hayden's Ferry Review

Appearing in Hayden's Ferry Review, Sandra Allen's essay "Plow" details with captivating clarity and insight a series of memories and thoughts that occur to the narrator, and patterns the narrator beholds, while listening to the radio, and while reflecting on one of her old teachers, Cecily, who calls to say she's ending her marriage.

Throughout the essay, as the writer reflects on a friend's long-planned suicide, wonderful explorations of narratives occur, as well as the people in the world who seem to live lives worthy of stories.

"I read once about how much, as a species, we rely on patterns. The world is full of too much and without patterns we wouldn't see, say, a leopard face in the fauna, or a bullet, or an oncoming train. People who see more patterns than others we might call spiritual, or schizophrenic, or writers."

The final lines of the essay, in which the writer turns inward and explores, are among some of the best I've read.

Read this essay.

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sábado 21 de enero de 2012

Sascha Feinstein "Children of Paradise"

Appearing in Hunger Mountain, Sascha Feinstein's work of creative nonfiction "Children of Paradise" details a childhood viewing of the Marcel Carné-directed movie Children of Paradise. Boredom soon overcomes the writer, and the movie seems intolerable: "I don't know how old one needs to be to embrace metaphor and theme over linear plot, but I couldn't do that at eight, nor did I find ancient footage of amorous desire the least bit enticing."

With honed prose and masterful pacing, the essay made me laugh out loud, as well as nod my head in empathy, as Feinstein goes on to describe other movies viewed at the drive-in and exchanges during the movie with his parents.

A gut-splitting summary of a final movie experience punctuates this wonderful essay.

viernes 13 de enero de 2012

Ian Bassingthwaighte "The Cardboard Dress" TriQuarterly

Ian Bassingthwaighte's story "The Cardboard Dress" appears in TriQuarterly and presents the first-person point of view of Charlie, who goes with his wife Adelle to dinner with another couple, Marcus and Dary. 

Charlie hates Marcus, and though at first he tells us he might be imagining the way Marcus gawks lustfully at Charlie's wife, later Marcus brings up wanting to swap lovers, and Charlie wants murder.

Instead, however, the story progresses with dreamlike momentum until, as Charlie says, "slowly we ruin each other."

Piercing, fervent prose. Check it out at TriQuarterly.

 

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正义

Ash Dogs, a novel

jueves 29 de diciembre de 2011

Michael Schulze "Cover Letter for The Cabin" ~ Xenith

Michael Schulze's story "Cover Letter for The Cabin" appears in Xenith and presents the worst possible cover letter an author could ever append to his novel submission.

The cover letter tells a strange--in a good way--absurd tale in which the narrative tone of voice feels real and honest enough to allow readers to slip into the fictive dream. Quirky, funny paragraphs abound, such as one that concerns rewriting in which the author tells the editors that there are exactly one hundred words.

At times, it's possible to get lost in passages concerning the current action, only to be reminded that, in fact, this is a cover letter for an obviously awful novel.

I've never read anything like it; check it out.

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正义

Ash Dogs, a novel